HORATIAN ODE UPON CROMWELL'S RETURN FROM IRELAND. by A. MARVELL.
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| HORATIAN ODE UPON CROMWELL'S RETURN FROM IRELAND. | |
| The forward youth that would appear, Must now forsake his Muses dear, Nor in the shadows sing His numbers languishing. 'Tis time to leave the books in dust, And oil the unused armour's rust, Removing from the wall The corslet of the hall. So restless Cromwell could not cease In the inglorious arts of peace, But through adventurous war Urgéd his active star: And like the three-fork'd lightning first Breaking the clouds where it was nurst, Did thorough his own side His fiery way divide: For 'tis all one to courage high The emulous, or enemy; And with such, to enclose Is more than to oppose; Then burning through the air he went And palaces and temples rent; And Caesar's head at last Did through his laurels blast. 'Tis madness to resist or blame The face of angry heaven's flame; And if we would speak true, Much to the Man is due Who, from his private gardens, where He lived reservéd and austere (As if he his highest plot To plant the bergamot) Could by industrious valour climb To ruin the great work of time, And cast the Kingdoms old Into another mould. Though Justice against Fate complain, And plead the ancient Rights in vain-- But those do hold or break As men are strong or weak; Nature, that hateth emptiness, Allows of penetration less, And therefore must make room Where greater spirits come. What field of all the civil war Where his were not the deepest scar? And Hampton shows what part He had of wiser art, Where, twining subtle fears with hope, He wove a net of such a scope That Charles himself might chase To Carisbrook's narrow case; That thence the Royal actor borne The tragic scaffold might adorn: While round the arméd bands Did clap their bloody hands; He nothing common did or mean Upon that memorable scene, But with his keener eye The axe's edge did try; Nor call'd the Gods, with vulgar spite, To vindicate his helpless right; But bow'd his comely head Down, as upon a bed. --This was that memorable hour Which first assured the forcéd power: So when they did design The Capitol's first line, A Bleeding Head, where they begun, Did fright the architects to run; And yet in that the State Foresaw its happy fate! And now the Irish are ashamed To see themselves in one year tamed: So much one man can do That does both act and know. They can affirm his praises best, And have, though overcome, confest How good he is, how just And fit for highest trust; Nor yet grown stiffer with command, But still in the Republic's hand-- How fit he is to sway That can so well obey! He to the Commons' feet presents A Kingdom for his first year's rents, And (what he may) forbears His fame, to make it theirs: And has his sword and spoils ungirt To lay them at the Public's skirt. So when the falcon high Falls heavy from the sky, She, having kill'd, no more doth search But on the next green bough to perch, Where, when he first does lure, The falconer has her sure. --What may not then our Isle presume While victory his crest does plume? What may not others fear If thus he crowns each year! As Caesar he, ere long, to Gaul, To Italy an Hannibal, And to all states not free Shall climacteric be. The Pict no shelter now shall find Within his parti-colour'd mind, But, from this valour, sad Shrink underneath the plaid-- Happy, if in the tufted brake The English hunter him mistake, Nor lay his hounds in near The Caledonian deer. But Thou, the War's and Fortune's son, March indefatigably on; And for the last effect Still keep the sword erect: Besides the force it has to fright The spirits of the shady night, The same arts that did gain A power, must it maintain. |
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| A. MARVELL., THE GOLDEN TREASURY Of the best Songs and Lyrical Pieces In the English Language Selected by Francis Turner Palgrave | |
| Notes: Cromwell returned from Ireland in 1650. Hence the prophecies, not strictly fulfilled, of his deference to the Parliament, in stanzas 21-24. This Ode, beyond doubt one of the finest in our language, and more in Milton's style than has been reached by any other poet, is occasionally obscure from imitation of the condensed Latin syntax. The meaning of st. 5 is "rivalry or hostility are the same to a lofty spirit, and limitation more hateful than opposition." The allusion in st. 11 is to the old physical doctrines of the non-existence of a vacuum and the impenetrability of matter:--in st. 17 to the omen traditionally connected with the foundation of the Capitol at Rome. The ancient belief that certain years in life complete natural periods and are hence peculiarly exposed to death, is introduced in stanza 26 by the word _climacteric_. PALGRAVE'S NOTES. |
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| Tags: history poetry | |
